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The Rime of the Ancient Mariner Samuel Coleridge

The Rime of the Ancient Mariner essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Rime of the Ancient Mariner by Samuel.

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The Rime of the Ancient Mariner Essays

Coleridge's Use of Precise Observations of the Natural World to Convey Wider Thematic Ideas in His Poetry Gareth Owen

Coleridge, in common with other romantic artists such as Wordsworth and Keats revolted against the artificial eighteenth century philosophy of a dislocation between man and nature. Coleridge developed an extremely analytical, passionate and.

German Expressionism and German Romanticism as Exemplified by Nosferatu and The Rime of the Ancient Mariner Anonymous

"It is reasonable to argue that the German cinema is a development of German Romanticism, and that modern technique (cinematography) merely lends a visible form to Romantic fancies", Lotte Eisner asserts. Both Romanticism (late 18th-19th Century).

The Mariner's Ancient Eye: Multiple Perspectives in Coleridge's The Rime of the Ancient Mariner A. Neuman

In a revision of his enduring poem Rime of the Ancient Mariner, Samuel Coleridge added a pointed Latin epigraph, perhaps to clarify what he hoped the poem would convey upon his readers. The added lines ask us to reevaluate our perceptions of man.

Rime of the Ancient Mariner As an Allegory Rebecca Strobach

Samuel Coleridge is viewed as one of the most important poets of the Romantic period. Part of this distinction hinges on Coleridge's beautiful, nature-themed poetry, but it also rests on his ability to infuse fantastical and haunting elements into.

The Union of Opposing Elements: Poems by Wordsworth and Coleridge Anonymous

The Romantic Era was a time when people embraced imagination, emotion, and freedom - quite a contrast to the preceding Neoclassic Era, which emphasized the values of reason, judgment, and authority. The values of the so-called Romantics are.

Fusing Confessional and Pulpit: Analysis of a Romantic Ballad Valerie Prevosnak

As a time that marked radical changes in the way that poetry was written, the Romantic period of English Literature produced many works still celebrated and studied today. It was during this period that Samuel Taylor Coleridge wrote one of the.

Coleridge's Failure to Achieve Unity in Rime of the Ancient Mariner Timothy Sexton

"The Rime of the Ancient Mariner" is a striking example of how Samuel Taylor Coleridge failed to attain his vision of perfect poetic unity. The work in question leaves the reader with unanswered questions regarding its stated moral, its failure to.

Samuel Taylor Coleridge Addresses Humanity's Relationship to the Natural World Sarah Rosanowski

To the same extent that the Ancient Mariner entrances the Wedding-Guest with his 'glittering eye,' Samuel Taylor Coleridge sought to draw his audience in to The Rime of the Ancyent Marinere (1798). The poem, written by Samuel Taylor Coleridge, is.

Baudelaire's "The Albatross" and the Changing Role of the Poet Anonymous

Charles Baudelaire is often considered a late Romantic poet. Even Baudelaire sought to equate himself with archetypal Romantic figures like Byron, Hugo, and Gautier; the latter once claimed that Baudelaire had "found a way to inject new life into.

Coleridge's Use of the Narrative Method in Part 7 of the Ancient Mariner Anonymous

Part 7 forms the dramatic climax of the poem in which the Mariner returns to his own “countree”. Coleridge uses the focal character, the eponymous Ancient Mariner, to narrate the aftermath of the journey and his life since and includes dialogue.

"Rime of the Ancient Mariner:" Defining an Era in 625 Lines Michael Anthony Perez

Renowned French writer and philosopher Francois-Marie Arouet (better known as “Voltaire”) once stated, “One merit of poetry few persons will deny: it says more and in fewer words than prose.” Indeed, his words could not ring truer when used to.

Supernaturalism in Coleridge’s “The Rime of the Ancient Mariner” Kaitlyn A. Smith 10th Grade

Poets in the Romantic period were not preoccupied with reason, unlike most of the intellectuals in the Eighteenth Century. Rather, they were able recognize the importance of non-rational processes in the mind. S.T. Coleridge was particularly.

Coleridge: A Poet After Conrad's Own Heart of Darkness Claire Alexandra Landes College

Two orphaned boys grow up to be politically-concerned authors, one a poet and one a novelist, who use their maritime literature to speak out against the prevailing ills of European society, specifically the wrongful treatment of African people.

Climax and Anti-climax in The Road, The Rime of the Ancient Mariner and The Great Gatsby Midhusa Mohan.K 11th Grade

Climaxes are moments of increased tension which signify a central turning point within a text. Anti-climaxes can be defined as moments which subvert expectations as they provide a plot twist which are marked by decreased intensity. This essay.

The Lesson of the Albatross in "The Rime of the Ancient Mariner" Anonymous College

In “The Rime of the Ancient Mariner,” Samuel Taylor Coleridge tells the story of a sailor and his perilous adventures. This tale follows the Mariner and his crew as they travel between the equator and the South Pole, and then travel back to.

Sadness through Symbols and Imagery Anonymous 12th Grade

In Coleridge’s ‘The Rime of the Ancient Mariner’, a range of interesting narrative techniques are used to explore the fundamental core of man, the relationship between man and nature and how our actions leave an irreversible mark on the universe.

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Samuel Taylor Coleridge

Samuel Taylor Coleridge Citations

Sources we cite in Samuel Taylor Coleridge

1 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 103.

2 "Kubla Khan, Coleridge's note, published with the poem," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/poems/notes.html#KublaKhan, Accessed 14 July 2009.

3 Samuel Taylor Coleridge, Biographia Literaria, http://www.english.upenn.edu/

mgamer/Etexts/biographia.html, Accessed 17 August 2009.

4 David Perkins, "Samuel Taylor Coleridge," English Romantic Writers. 2nd Edition (Harcourt: 1995), 510.

5 David Perkins, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 500.

6 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 102.

7 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 101-102.

8 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 106.

9 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 102.

10 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 100.

11 Samuel Taylor Coleridge, "Biographia Literaria, Chapter IV," English Romantic Writers. 2nd Edition (Harcourt: 1995), 564.

12 Samuel Taylor Coleridge, "Biographia Literaria, Chapter IV," English Romantic Writers. 2nd Edition (Harcourt: 1995), 565.

13 David Perkins, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 502.

14 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 103.

15 Samuel Taylor Coleridge, Biographia Literaria, Chapter XIV, University of Pennsylvania, http://www.english.upenn.edu/

mgamer/Etexts/biographia.html, Accessed 14 July 2009.

16 Samuel Taylor Coleridge, Biographia Literaria, Chapter IV, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 565.

17 Samuel Taylor Coleridge, "Letter to Joseph Cottle," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/letters/Cottle_042614.html, Accessed 15 July 2009.

18 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 104.

19 David Perkins, "Samuel Taylor Coleridge," English Romantic Writers. 2nd Edition (Harcourt: 1995), 506.

20 David Perkins, "Samuel Taylor Coleridge," English Romantic Writers. 2nd Edition (Harcourt: 1995), 507.

21 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 108.

22 David Perkins, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 500.

23 David Perkins, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 503.

24 "The Death of Coleridge," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Lamb/stc_epitaph.html, Accessed 10 July 2009.

25 Robert Wilson, "The Genealogy of the Coleridge and Southey Families," http://www.geocities.com/Athens/4017/NewSouth/d0000/g0000034.html#I0324, Accessed 13 July 2009.

26 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 102.

27 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 107.

28 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 99.

29 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 96.

30 David Perkins, "Samuel Taylor Coleridge," English Romantic Writers. 2nd Edition (Harcourt: 1995), 504.

31 Samuel Taylor Coleridge, Biographia Literaria, Chapter XI, The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/literar_theory/BiogLiterar.html, Accessed 14 July 2009.

32 Samuel Taylor Coleridge, The Friend, The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/phil_theo/Friend.html, Accessed 14 July 2009.

33 Samuel Taylor Coleridge, Biographia Literaria, Chapter I, The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/literar_theory/BiogLiterar.html, Accessed 14 July 2009.

34 Samuel Taylor Coleridge, "Letter to James Gillman," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/letters/Gillman_091025.html, Accessed 10 July 2009.

35 Samuel Taylor Coleridge, "Kubla Khan," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/poems/Kubla_Khan.html, Accessed 14 July 2009.

36 Samuel Taylor Coleridge, "The Rime of the Ancient Mariner," Academy of American Poets, http://www.poets.org/viewmedia.php/prmMID/15884, Accessed 14 July 2009.

37 Samuel Taylor Coleridge, "Work Without Hope," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/poems/Work_without_Hope.html, Accessed 14 July 2009.

38 Samuel Taylor Coleridge, "Epitaph", The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/poems/Epitaph_final.html, Accessed 14 July 2009.

39 Dorothy Wordsworth, "Journal, Written at Alfoxden in 1798," English Romantic Writers. 2nd Edition (Harcourt Brace & Company, 1995), 485.

40 Anne Fadiman, "Coleridge the Runaway," At Large and At Small (Penguin: 2007), 108.

41 David Perkins, English Romantic Writers. 2nd Edition. (Harcourt Brace & Company, 1995), 503.

42 Samuel Taylor Coleridge, "Table Talk," The Samuel Taylor Coleridge Archive, http://etext.virginia.edu/stc/Coleridge/politics/table_talk.html#snuff, Accessed 14 July 2009.

The Rime of the Ancient Mariner: Samuel Taylor Coleridge - Summary and Critical Analysis

The Rime of the Ancient Mariner is a typical ballad by Samuel Taylor Coleridge. It deals with a single situation or incident, and though there are many incidents, they are also introduced so as to look like parts of the one major event. The situation is presented dramatically. The poet makes use of striking dialogues, and the effect is enhanced by repetitions, known as ‘refrains’. Another typical ballad element, the supernatural is also introduced to give the effect of horror and mystery.

Samuel Taylor Coleridge

Coleridge, like many other romantic poets, turned to the Middle Ages for inspiration because he was dissatisfied by the excessive ‘reasoning’ in content and ‘rules’ in the form of poetry. The medieval oral ballads give a sense of reality to the supernatural and therefore Coleridge took up this form of poetry with great interest. The present ballad has all the elements that typical ballads should have: a vivid story, dramatic action, verbal music, a scenic setting, a unifying element of feeling, moral, and mystery. Like most folk ballads, “The Rime of the Ancient Mariner” contains a single incident that makes up an eventful and striking story which in itself is enough to hold the attention of the audience.

It ends with the lifelong punishment of its main character for the violation of the law binding human beings with the invisible beings of the nature. This ballad has the oral quality of typical folk ballads. It is a short narrative poem with dramatic elements like dialogue, quick and unexpected development of action, tension and a dramatic end. Another important feature of this ballad is the typical form. The poem is written in four line stanzas (quatrains) with the usual ballad rhyme scheme abcb. Each stanza is written in more or less the traditional ballad meter: the first and third lines are in iambic tetrameter, and the second and fourth lines are in iambic trimester. The language is simple and the narrative is straightforward. The order of events is chronological: the narrator tells what had happened in the order in which the events had taken place.

The first thing we notice in this poem is the simplicity of language. There are lines in the poem which make use of very simple and homely words and expressions. “The sun came up upon the left, out of the sea came he”. But like the old ballads, the poem has a serious aim and purpose of implicitly conveying a message. It is more than a mere poem of the supernatural, describing some adventurous and exciting events. The poem narrates certain horrible and unusual incidents that lead to the refining and purifying of our emotions and sentiments as well as conveying a lesson for practical life. It tells us, more or less directly, that the violation of the fundamental laws of the nature will result in terrible disasters in the well being of men, especially their mental health.

The Rime of the Ancient Mariner in some way illustrates the theory of love between the creatures, between human beings and the visible and invisible beings of the nature. The old (ancient) sailor (mariner) commits a crime against the divine law of love and as a result there is an upheaval both in the internal world of his mind and in the external world of nature. The bird that he kills on his voyage (the Albatross) is not a mere bird; but is a symbolic spirit as indicated by the very the manner of its arrival at the place form nowhere out of “fog and mist”. The mariners are also very happy and receive the bird warmly, thinking it a good soul which has come to help them “as if it had been a Christian soul.” But the leader mariner’s reckless act of killing the bird is a great crime, a violation of the sanctity of life. The other mariners also suffer because they unknowingly make themselves accomplices in his sin by justifying his act and saying that it was right to kill the bird which brought the fog and mist (though they sometimes say that it was wrong). Those other sailors who did not realize the sin died, but the main mariner who appreciated the dirty-looking snakes in the sea was atoned by the spirits that came to rush him to the shore. However, the mariner is obsessed by his consciousness of guilt, which he can alleviate only by telling the story of crime to someone who looks appropriate. The teaching of the story pacifies his soul from the burning guilt that he is made to carry along throughout life. The mariner’s regeneration began when he blessed the water snakes and his heart is in harmony with the universal law of love, and his life continues only if he confesses and teaches that inviolable law to others.

The theme of “The Rime of the Ancient Mariner” involves crime and a violation of the natural moral law, or the natural bond among different and with the invisible forces of the nature, and then the resultant remorse and suffering (penance), which then brings about relief, forgiveness and joy.

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